Verneri Salonen: Interminable Present
Verneri Salonen: Interminable Present
2020, kesto 02:28
Interminable Present expresses egalitarian existence in future cyberspace. In this unprecedented internet of things, all existence is online, intertwined in digital interfaces. The space is all-inclusive: inorganic and organic matter, culture and society, subjective consciousness and emotions all have equal agency. Artificial reality will be reality, a genuine way of being connected with the cosmic network of everything.
Artist Statement
My name is Verneri Salonen, an artist living in Helsinki, Finland where I am currently a graduate student in the Time and Space department at the University of the Arts Helsinki. My artistic passion is to explore and expose our exosomatic interactions with the world. Exosomatic instruments are instruments that are produced by human but not belonging to a human body. They can be used for example to produce, exchange and consume energy in some form.
As a former petrol head and mechanical engineer, I have an autobiographical interest in exploring this subject in my artistic practice. I find myself caught in an inner conflict between my old habits, desires and present day reasoning. Beloved memories associated to machines constantly battle in my head with what I have later come to understand about the toxicity of certain uses of technology. I don’t feel the need to demonize all tech, as it has proven to be a way for a better standard of living and many advances for example in medicine, engineering, information and communication. I just think we should be careful and find intelligent and sensible ways to use it and understand the real value of those recourses we put into them. I want to contemplate and work with this problem, because it feels topical for most of us living in the western civilization at the moment as our lives and societies tend to be overly reliant on technology with harmful outcomes in relation to human labor and environmental issues.
In my works, I recontextualize and reimagine the functions of everyday objects and ideas in a manner that is surprising, revelatory and at times humorous. By composing unexpected relationships between the industrial and handmade objects, the works invite new meanings and interpretations of their uses that challenge human logic. The shared conflict becomes expressed in the exhibited collisions between materials and systems that could at first glance seem contradictory. I strive to challenge the authoritative voices of our society by addressing issues of emancipation, technology and caring existence at large.